“Everyone is just blown away by N-RAY. Expectations in the Church were definitely high - they had been patient with their process of identifying the right choice of system, so it had to be perfect. We were painstaking in our work to make sure that every aspect was spot on, and while it was a challenging job, we have been rewarded with a universal thumbs-up from everyone involved."

“It’s true that the specifications were quite demanding! We had to cover the entire area from the Brandenburg Gate to the Victory Column, all with a limit of 84db. In total, this was a distance of almost 2.5 km, which required uninterrupted sound at the desired level.”

“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”

“CODA Audio systems have the clarity and open sound quality that is perfect for the music in a jazz festival. There are lots of details in the music and CODA delivers the phase-correct sound that we want to hear."

"This was our first installation of CODA Audio N-RAY. It was chosen for its fantastic ratio of size to performance, while its ability to provide asymmetrical coverage helped us overcome reflections from the Centre’s walls. The client is very happy indeed with the new system which comfortably meets all the venue’s requirements with headroom to spare."