“Everyone is just blown away by N-RAY. Expectations in the Church were definitely high - they had been patient with their process of identifying the right choice of system, so it had to be perfect. We were painstaking in our work to make sure that every aspect was spot on, and while it was a challenging job, we have been rewarded with a universal thumbs-up from everyone involved."

“I think the benchmark for this kind of event has been set by CODA Audio. The system sounded exceptional and its compact characteristics made it a dream to work with for the guys setting it up in such a short space of time. Clark Chan’s expertise coupled with System Optimiser’s accuracy and reliability contributed hugely as well. We hope that CODA will be the choice for many more events of this kind at the Taipei Dome.”

“With an immersive audio system, you simply have more ‘space’ in the mix than with a traditional stereo or mono near-field sound system. The audience hears the artists at the position they occupy in the stage - that’s what characterises the immersive 3D listening experience.”

“Carrying a mix of AiRAY and CiRAY allowed for true scalability between the arenas in mainland Europe and the theatre shows in the UK. The lightweight nature of the CiRAY made it perfect for split systems in theatres such as Edinburgh’s Usher Hall where three hangs were flown from the house advance truss to cover the hard-to-hit upper balcony.”

“I’m extremely proud of the solution that Adlib has delivered to the Great Hall at the Aberystwyth Arts Centre. Given the tight limitations within the setting brief, I think the CODA Audio TiRAY system delivers exceptionally well. It really is something that needs to be heard to be believed. Its weight and extremely compact form factor belie the fact that it is a seriously capable PA system - I took great delight in watching the house technicians’ amazement at how such a big sound arrives from such a compact box!”